Tuesday, June 18, 2019

Leona, directed by Isaac Cherem


Leona, a feature film debut by Mexican director Isaac Cherem, opens in dreamy, sensual slow motion. Seen through a billowing, diaphanous curtain, a young woman removes her robe and lowers herself into an elegantly tiled pool surrounded by potted flowers and decorative trees. As the camera glides through the curtain into this opulent pool setting, a throng of beautifully dressed women—daughters and mothers—stand by the pool with joyful faces. A voice recites ritual words to their friend in the water: “Rebeca, now that heavenly water bathes your body . . . your soul is clean to unite with the soul of the man you chose as your partner.”
Out of this cluster of women, steps Ariela (Naian González Norvind), the film’s 25-year-old protagonist, who looks different from the other women with her light, rippled hair, watchful face, and simpler gown. She dips a silver pitcher into the water and pours it over Rebeca. When the celebration ends, Rebeca says to her: “May you find someone soon, Ariela.”
Finding that life-partner within the tightly knit framework of Ariela’s Jewish “community,” as her elders call it, in Mexico City, becomes the film’s driving theme. It entails Ariela’s coming of age and figuring out who she truly is within the narrow scope of her upper-class family and religious-cultural heritage. A subtle soundtrack complements every emotional nuance in this story.
As soon as Ariela leaves the bridal party and gets into her car, she pulls off her wealthy woman’s gown and pulls on jeans and a T-shirt. She drives to her current job as a mural painter and sets up her equipment. Later, while still on this job, she meets Ivan (Christian Vásquez), a young Mexican man who stops to watch her work. One thing leads to another, and they fall in love, even though Ariela knows dating a non-Jew is forbidden in her community.
Time passes and Ariela meets Ivan’s artistic, educated, and well-off family, but she’s not able to reciprocate by introducing him to her side—in fact, the family has discovered her secret and told her he’s not welcome, nor is she if she continues to date him. The rabbi kindly explains that she’s breaking community rules.
Ariela goes her own way, moving out of her mother’s apartment and into her own place, though she continues to share Friday night Shabbat and other traditional events with the extended family, all of whom love and support her dearly but refuse to accept her love life. The clan is fiercely loyal, a trait that keeps them separate and insulated from the greater society they inhabit.
Months pass in this way, and Ivan’s love erodes because of his rejection by Ariela’s family. He can’t accept her living two lives, one with him and one that excludes him in a major way. They break up.
In the montage that follows, Ariela dates men recommended by the family or the matchmaker, but none of them are possibilities for her way of living and thinking. On each date, she’s forced to wonder who she is and what future can she make for herself? Her best friends, her family, and the men she dates all speak and act differently from her. Her daily mural work is the one thing that keeps her from feeling lost. And the artwork is fantastic, creative, therapeutic. She now signs the intricate images as Leona, because Ariela mean lioness in Hebrew.
At this juncture, Ariela connects again with Ivan. They meet and talk. He tells her he has a new girlfriend. They make love, and he invites her to his BBQ later that week. She goes, meets his new girlfriend, and finds the situation so awkward that she leaves, as if stumbling blinding inside her mind. She faces the truth that her choice about her “significant life relationship” can’t be happily solved. How can she possibly say goodbye to her family of cherished loved ones, even if they’re so different from herself? And how can she face life within that clan as an outsider, even with the satisfaction of her creative work? Can she really exist alone for life? The movie ends without a clear answer, but Ariela’s courage throughout the movie to be true to herself and identify with her Hebrew name Leona, gives hope that her future within her difficult circumstances, will find stability.
 
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